{"id":13070,"date":"2018-11-28T14:42:02","date_gmt":"2018-11-28T13:42:02","guid":{"rendered":"https:\/\/www.galluratour.it\/?page_id=13070"},"modified":"2026-05-03T17:31:18","modified_gmt":"2026-05-03T15:31:18","slug":"tempio-pausania-by-vuillier","status":"publish","type":"page","link":"https:\/\/www.galluratour.it\/en\/tempio-pausania-by-vuillier\/","title":{"rendered":"Tempio Pausania by Vuillier"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.16″ custom_padding=”32px||32px||true|” global_colors_info=”{}”][et_pb_row _builder_version=”4.17.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.6″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

TEMPIO<\/span><\/h2>\n

by <\/span>Gaston Vuillier<\/span><\/span><\/h3>\n

The forgotten isles.<\/a><\/span><\/strong><\/em><\/h3>\n

Impressions of travel in the Balearic Isles, Corsica and Sardinia \u2192<\/a><\/span><\/strong><\/em><\/h4>\n

London 1896<\/strong><\/span><\/p>\n

with 167 illustrations by the Author. Rendered into English by Frederic Breton<\/span><\/p>\n

Hutchinson & Co., Paternoster Row, 34<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.17.4″ _module_preset=”default” custom_padding=”||22px|||” border_width_bottom=”1px” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”in francese” _builder_version=”4.17.4″ _module_preset=”default” text_orientation=”center” link_option_url=”https:\/\/www.galluratour.it\/fr\/tempio-pausania-di-vuillier\/” global_colors_info=”{}”]in french:\u00a0 \"\"[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”in italian” _builder_version=”4.17.4″ _module_preset=”default” text_orientation=”center” link_option_url=”https:\/\/www.galluratour.it\/tempio-pausania-di-vuillier\/” global_colors_info=”{}”]<\/p>\n

in italian:\u00a0 \"\"<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.17.4″ _module_preset=”default” custom_padding=”||1px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.galluratour.it\/wp-content\/uploads\/2019\/03\/0-Barbant-Vuillier-vista-del-Limbara-da-Tempio-immagine-nel-libro-1893.jpg” alt=”Barbant-Vuillier – View of the Limbara from Tempio, 1893″ title_text=”Barbant-Vuillier – View of the Limbara from Tempio, 1893″ show_in_lightbox=”on” align=”center” _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.17.4″ _module_preset=”default” text_orientation=”justified” global_colors_info=”{}”]I reached Tempio at nightfall.<\/p>\n

Tempio is the most populous town in Gallura. Its lofty houses, built of regular blocks of granite, mortared with clay, would resemble fortresses, except for the immense wooden balconies projecting from each storey, and casting queerly foreshortened shadows on the pavement below. The women spend far more of the day working and gossiping on these balconies than they do in their rooms, so that the otherwise solemn street is kept perpetually merry with the chatter of female voices.<\/p>\n

The roads are paved with large flagstones, on which the horses\u2019 hoofs make a hollow clatter, as if there were dungeons beneath.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.17.4″ _module_preset=”default” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.galluratour.it\/wp-content\/uploads\/2019\/04\/Uno-degli-ultimi-balconi-di-legno-Aggius-1.jpg” alt=”by Andrea Suelzu – One of the last wooden balconies (Aggius)” title_text=”by Andrea Suelzu – One of the last wooden balconies (Aggius)” show_in_lightbox=”on” align=”center” _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.galluratour.it\/wp-content\/uploads\/2019\/03\/1A-3.jpg” show_in_lightbox=”on” align=”center” _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.17.4″ _module_preset=”default” custom_padding=”1px||1px|||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.galluratour.it\/wp-content\/uploads\/2019\/03\/1B-4.jpg” show_in_lightbox=”on” align=”center” _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.galluratour.it\/wp-content\/uploads\/2019\/03\/1-1.jpg” show_in_lightbox=”on” align=”center” _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.17.4″ _module_preset=”default” text_orientation=”justified” global_colors_info=”{}”]The men who pass are invariably clad in black, and generally wear hoods, giving them a sad, monastic aspect, agreeably relieved by the young girls who, here as elsewhere, pass and repass with their amphora on their heads. Altogether, however, the prevailing sentiment at Tempio is one of melancholy, notwithstanding the beauty of the sky, which is almost always clear.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.17.4″ _module_preset=”default” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.galluratour.it\/wp-content\/uploads\/2019\/03\/2A-Nicola-Tiole-Tempiese-1819-1826.jpg” alt=”Nicola Tiole – Tempiese, 1819-1826″ title_text=”Nicola Tiole – Tempiese, 1819-1826″ show_in_lightbox=”on” align=”center” _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.galluratour.it\/wp-content\/uploads\/2019\/03\/8B-Jean-Baptiste-Barla-viandante-tempiese-1841.jpg” alt=”Jean Baptiste Barla – Tempiese wayfarer, 1841″ title_text=”Jean Baptiste Barla – Tempiese wayfarer, 1841″ show_in_lightbox=”on” align=”center” _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.galluratour.it\/wp-content\/uploads\/2019\/03\/2B-5.jpg” alt=”Old Temple Theater” title_text=”Old Temple Theater” show_in_lightbox=”on” align=”center” _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.17.4″ _module_preset=”default” custom_padding=”1px||1px|||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.galluratour.it\/wp-content\/uploads\/2019\/03\/2C.jpg” show_in_lightbox=”on” align=”center” _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.galluratour.it\/wp-content\/uploads\/2019\/03\/2D-Tiole-donne-di-Tempio-viste-da-dietro-1819-1826.jpg” alt=”Nicola Tiole – Women of the Temple seen from behind, 1819-1826″ title_text=”Nicola Tiole – Women of the Temple seen from behind, 1819-1826″ show_in_lightbox=”on” align=”center” _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.17.4″ _module_preset=”default” text_orientation=”justified” global_colors_info=”{}”]Not far from the city rises the granite chain of the Limbara mountains, the highest peak of which, the Giugantinu, has an altitude of 5,906 feet. It is a rocky mass of characteristic appearance.<\/p>\n

The side opposite Tempio faces northwards, and only gets the sun at its setting; hence the climate is comparatively cold.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.17.4″ _module_preset=”default” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.galluratour.it\/wp-content\/uploads\/2019\/04\/9-di-Antonio-Concas.jpg” alt=”by Antonio Concas” title_text=”by Antonio Concas” show_in_lightbox=”on” align=”center” _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.17.4″ _module_preset=”default” custom_padding=”1px||1px|||” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.galluratour.it\/wp-content\/uploads\/2019\/03\/3A-di-Vittorio-Ruggero-1.jpg” alt=”by Vittorio Ruggero” title_text=”by Vittorio Ruggero” show_in_lightbox=”on” align=”center” _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.galluratour.it\/wp-content\/uploads\/2019\/03\/3C-Giogantinu-di-Alessandro-Penduzzu -1.jpg” alt=”Alessandro Penduzzu – Giogantinu” title_text=”Alessandro Penduzzu – Giogantinu” show_in_lightbox=”on” align=”center” _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.17.4″ _module_preset=”default” text_orientation=”justified” global_colors_info=”{}”]The town itself is nearly 2,000 feet above sea-level, and the air is healthy and bracing.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_2,1_4″ _builder_version=”4.17.4″ _module_preset=”default” custom_padding=”1px||1px|||” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.galluratour.it\/wp-content\/uploads\/2019\/03\/4-1.jpg” show_in_lightbox=”on” align=”center” _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.17.4″ _module_preset=”default” text_orientation=”justified” global_colors_info=”{}”]The vicinity is dotted with shepherds\u2019 huts (stazzi) built of rough stones below, while the upper part of the walls is constructed of wattles.<\/p>\n

Several hundred families dwell here, banded together in a sort of federation called cussorgie, living a primitive, pastoral life, varied only by occasional hunting expeditions.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.17.4″ _module_preset=”default” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.galluratour.it\/wp-content\/uploads\/2019\/03\/5A-Pittaluga-Levilly-pastore-della-Gallura-1826.jpg” alt=”Pittaluga-Levilly – Shepherd of Gallura, 1826″ title_text=”Pittaluga-Levilly – Shepherd of Gallura, 1826″ show_in_lightbox=”on” align=”center” _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.galluratour.it\/wp-content\/uploads\/2019\/03\/5B-di-Giacomo-Sanna.jpg” alt=”by Giacomo Sanna” title_text=”by Giacomo Sanna” show_in_lightbox=”on” align=”center” _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.17.4″ _module_preset=”default” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.galluratour.it\/wp-content\/uploads\/2019\/03\/6-1.jpg” show_in_lightbox=”on” align=”center” _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.galluratour.it\/wp-content\/uploads\/2019\/03\/30A-di-Salvatore-Solinas.jpg” alt=”by Salvatore Solinas” title_text=”by Salvatore Solinas” show_in_lightbox=”on” align=”center” _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.17.4″ _module_preset=”default” border_width_top=”1px” border_width_bottom=”1px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

SOURCES OF ILLUSTRATIONS<\/strong><\/span><\/p>\n

19th Century\u00a0Paintings, Drawings and\u00a0Lithographs\u00a0(captions translated freely)<\/strong><\/span><\/p>\n

Gaston Vuillier, \u201cView of the Limbara mountains from Tempio<\/em>\u201d, [lithography engraved by Charles Barbant], ca 1890-1893, figure IN this book.<\/span><\/p>\n

Nicola Benedetto Tiole,\u00a0\u201cMan of Tempio\u201d<\/em>, ca 1819-1826, IN Nicola Tiole,\u00a0Album di costumi sardi riprodotti dal vero (1819-1826), saggi di Salvatore Naitza, Enrica Delitala, Luigi Piloni,\u00a0<\/em>Nuoro, Isre 1990.<\/span><\/p>\n

Nicola Benedetto Tiole, \u201cWomen of Tempio seen from behind<\/em>\u201d, ca 1819-1826, IN\u00a0Album di costumi sardi riprodotti dal vero (1819-1826)<\/em>, saggi di Salvatore Naitza, Enrica Delitala, Luigi Piloni, Nuoro, Isre 1990.<\/span><\/p>\n

Alessio Pittaluga, \u201cShepherd from Gallura<\/em>\u201d, ca 1826, IN\u00a0Royaume de Sardaigne dessin\u00e9 sur les lieux. Costumes<\/em>, par A. Pittaluga, [lithography engraved by Philead Salvator Levilly], Paris, chez Marino; Firenze, Antonio Campani, 1826 (rist. Carlo Delfino 2012).<\/span><\/p>\n

Postcards and Photos, Late 19th\/Early 20th Century<\/strong><\/span><\/p>\n

Collection Erennio Pedroni, Gianfranco Serafino, Vittorio Ruggero \u2013 Tempio Pausania.<\/span><\/p>\n

Contemporary Photos<\/strong><\/span><\/p>\n

Antonio Concas, Vittorio Ruggero,\u00a0 Alessandro Penduzzu, Giacomo Sanna<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.21.0″ _module_preset=”default” border_width_top=”1px” border_width_bottom=”1px” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/www.galluratour.it\/i-percorsi-dei-viaggiatori-di-tour-gallura\/” button_text=”Read more travel stories” button_alignment=”center” _builder_version=”4.21.0″ _module_preset=”default” custom_margin=”-5px|-5px|-5px|-5px|false|false” custom_padding=”0px||0px|0px|false|false” box_shadow_style=”preset6″ locked=”off” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”RIPRODUZIONE RISERVATA” _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”15px||16px|||” border_width_bottom=”1px” global_module=”10975″ saved_tabs=”all” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”ALL RIGHTS RESERVED” _builder_version=”4.17.4″ _module_preset=”default” text_orientation=”center” global_colors_info=”{}”]\u00a9 ALL RIGHTS RESERVED<\/strong>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

TEMPIO by Gaston Vuillier The forgotten isles. Impressions of travel in the Balearic Isles, Corsica and Sardinia \u2192 London 1896 with 167 illustrations by the Author. Rendered into English by Frederic Breton Hutchinson & Co., Paternoster Row, 34in french:\u00a0 in italian:\u00a0 I reached Tempio at nightfall. Tempio is the most populous town in Gallura. Its […]<\/p>\n","protected":false},"author":5,"featured_media":10694,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-13070","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nTempio Pausania by Vuillier - Gallura Tour | Viaggiando nella Gallura dell'800<\/title>\n<meta name=\"description\" content=\"Tempio Pausania by Vuillier - The roads are paved with large flagstones, on which the horses\u2019 hoofs make a hollow clatter, as if there were dungeons beneath.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.galluratour.it\/en\/tempio-pausania-by-vuillier\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tempio Pausania by Vuillier - 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