by John Warre Tyndale

The Island of Sardinia

London 1849

Richard Bentley, New Burlington Street. Publisher in Ordinary to Her Majesty

in italian: 

by Google Earth

From Palau to Arzachena

On returning from the island of La Madalena to Sardinia, my route over the mountains and valleys from Parao to Terranova was through a continuous wilderness of forests and flowers, with the exception of a few “tanche” and occasional patches of pasture.

Theocritus may proclaim his native country to have been Flora’s peculiar garden; and our early ideas are by his idyls and the praises of other poets, prejudiced in favor of Sicily; but any traveller who has visited both islands, would decidedly give a preference to Sardinia.

The perfume of the cistus, with which the country for miles around was covered, was so overpowering as to be positively obnoxious, and this species of the cistaciae, as well as the helianthemum, being remarkable for the early shedding of its petals, the beautiful and delicately white blossoms gave an appearance of snow or a heavy hoar frost. No extracts or essences are made from the resinous secretion of the plant, as is the case with the cistus Creticus, from which the gum Labdanum is obtained; and, in gazing on the country blanched by these exquisite flowers, one is reminded of the extravagant price given, in the winter season, at Paris, for a single bouquet of this plant nearly as many francs as would purchase an entire acre of land in this district of Gallura.

Though many of the wild flowers which shed their perfumes in every direction, have been previously mentioned by name, a catalogue of some of them is given […]

Lilia, Caltha, rosse Baccar, Lotos, Hyacinthus, Combretum, Polion, Thimus, Anetha, Crocus, Liria, Vaciniuoi, Convolvous, Althea, Menta, Phirema, Ciclaminus, Timbre, Ligustra, Coris, Nardus, Anemona, Epithimon, Narcissus, Acanthus, Chrisitis et Cyamon, et Saluina virens, Cythemis, Enanthe, Holochrysos atque Cherinto, Lichnis, Amarantus, Casia, Melitolos, Puipureique tori Setureta, et Origana et Alga, ecc.

by Winkelbohrer - Gulf of Cala di Volpe - Liscia Ruja, islands of Soffi and Mortorio
by Winkelbohrer - Gulf of Cugnana


Ascending from these parterres, the path winds over hills covered with oak and cork forests, from which, together with the districts of Luras and Logu Santu, the finest cork is collected. Owing to their extent, the want of paths through them, and difficulty of communication with the shore, cork cutting is a much more expensive operation than in Valencia and Catalonia. Seven or eight contractors have at present a monopoly of the trade, but the abundance of untouched forest would yield a good profit to other speculators. […]

In this wild region is an exquisite spot called St. Maria di Santa Arsachena, a concentration of all that is romantic and pastoral.

coll. Francesco Cossu

Several streamlets descending from the mountains join and empty themselves in the gulf of Arsachena, forming by their union a deep and rapid stream, in which the quantity of fish was almost incredible.

“Our plenteous streams a various race supply: The bright-eyed perch with fins of Tyrian dye, The silver eel, in shining volumes rolled, The yellow carp, in scales bedropped with gold; Swift trouts, diversified with crimson stains, And pikes, the tyrants of the watery plains.”

by Marco Melzi - Pond of Saloni
In passing over the mountain I stopped at a shepherd’s hut, situated on a small mound backed by woods and overhanging a glen, and accepted the proffered hospitality of the family, as a refusal would not only be painful on such occasions, but have a suspicious appearance.

This habitation – a specimen of those made of dried mud, turf and straw, where granite or some other material is not more easily and cheaply obtained – was about twenty feet square, by ten feet high; had no window except a small aperture about a foot square, and the roof consisted of large pieces of cork laid loosely on each other, with heavy stones placed on them to prevent their being blown away.

by Luca Farneti
The natural soil formed the floor; in the furthest corner was a bed appropriated to the parents, and opposite, a bundle of reeds, mats, skins, and old clothes, which at night are laid near the live embers of the fire, and form the joint stock sleeping place of the rest of the family.

In the corner opposite the door was a flour-mill, worked with a short horizontal shaft by a miserable donkey, smothered up in a sheepskin cap over his head and eyes. Whether it was in tender consideration for any giddiness he might feel in revolving in his small circle, or that he might more fully appreciate the “grata superveniet quae non sperabitur” blow of a thick stick, is immaterial; but the head-dress, if it had not a useful, had certainly a very grotesque appearance.

Nicola Tiole - Mill of Sardinia, 1819-1826
In the centre of the room was the fireplace, a square excavation in the ground about six inches deep, in which the embers are seldom allowed to be extinguished, but are nourished by a large smouldering log; and in default of chimney, the smoke having duly blackened the whole of the interior of the cottage, escapes either at the door or the small aperture before mentioned.

Above the fire, on two rafters crossing the roof, was a reed lattice-work, on which were cheeses placed to dry and get a smoky flavor, a peculiar but highly esteemed quality; against the wall were hollowed trunks of trees filled with corn and other stores, some of them literally family trunks, being used as such for their clothes; and in smaller hollowed stems were cheeses steeped in salted water, while other kinds were on shelves or heaped upon the ground.

The household utensils, made of cork, bark, and split reed, were of a similarly rude construction and shewed not the remotest attempt at comfort or cleanliness. The only two stools, instead of their ordinary purpose, were used as stands for milk-bowls, and the custom of sitting on the ground is necessary, as the inhabitants thereby are less exposed to the smoky atmosphere of the room.

Outside the door were two upright poles supporting a horizontal one, from which were suspended buckets of water, to be softened by exposure to the night air.

by Vittorio Ruggero
The shepherd and two sons were at their out-door employment; and the mother and three daughters were making cheese and other preparations of milk. Their dress was a light green cloth bodice fitting closely to the figure, with a narrow red edging; and the petticoat, of a coarse dark purple cloth, had a broad red border of the same material. Shoes, stockings, and under-petticoats were things quite unknown to them; but their very absence shewed the grace and elegance of their figures.
Pittaluga-Levilly - Shepherdess of Gallura, 1826
Having ascertained that I was from Terra ferma, they commenced, while laying but their stores for a repast, a series of questions as to what part I belonged, what it was like, and, as the climax of their inquiries, if they knew how to make cheeses in that country. Being quite satisfied in her own mind that Gallura supplied all Terra ferma with those articles, she began explaining her modes of making them, and their peculiar merits; but this initiation into milky mysteries was interrupted by the arrival of a man on horseback, who immediately dismounted, entered the room, and after some conversation with the family, brought in a parcel about eighteen inches square.

Having crossed himself, he began to unpack it, and seeing the mother and daughters place themselves on their knees before him, and my cavallante as well as my guide take off their caps, I imagined some holy rite was to be performed, and accordingly I likewise uncovered.

Pittaluga-Levilly - Shepherd of Gallura, 1826
The man, having no ecclesiastical, but only the common costume of the country, increased the enigma of what was to take place; but standing by his side, his movements, and those of the family kneeling opposite me, soon explained themselves. Having drawn a slide From the front of the box, at which they immediately crossed themselves most devoutly, bent their heads to the ground, and uttered something, which might have been a prayer, no doubt remained but that it was some patent portable miracle or relic, and my curiosity almost induced me to join the family party on their knees.

After a minute’s suspense, he held the box forward to the members of the household; each of them affectionately embraced it, and this holy kiss was repeated two or three times; but when it came to my turn, and I refused to follow their example, their dismayed looks shewed the doubt which they subsequently expressed of my belief in Christianity.

The object of all this wonder was a small wooden doll’s head, the eyes and nose of which were just distinguishable; the rest of the figure was covered with a brocaded silk petticoat, and around the head was a gilt and silver tinsel glory, with the usual appendages of such images.

The ceremony being over, I inquired the name and history of the tawdry puppet, and could only obtain the highly authentic and satisfactory information that it was the relic of a Gallura saint; but all endeavors to elicit from the saint’s carrier and guardian, who she was, and when and where she lived, met with the invariable answer, “Senza dubbio la reliquia d’una Santa del Paese, ben conosciuta da per tutto.”

Giuseppe Cominotti - Rustic conversation, 1826
Perhaps my heretical ignorance had the effect of driving her and him out of the cottage sooner than they otherwise would have gone, for they certainly prepared to start immediately; but while the box was being carefully packed up, the mother and children were putting cheeses of different kinds and sizes into the panniers on the horse, which being done, and the usual benediction given and responded to, the man proceeded on his journey.

I found subsequently that it is a prevalent custom for some of the religious orders, especially the Mendicant Friars, to send any relic they possess to the different districts; and that the exhibition and privilege of worshipping and kissing it, are paid for by the contributions in kind of whatever eatables the worshippers may chance to possess.

Manca di Mores - The master (...) and his friends, ca 1861-1876
The persons employed in’ this occupation, called Romiti or Eremiti, are generally a set of vagabonds, too idle to get a livelihood by a more honest and laborious employment, and consequently not half of the offerings made to the saints ever reach their intended destination. They are sometimes accompanied by a “Zampagnatore” or bagpiper, who makes a most outrageous sonata first in honor of the saint, and then in praise of the almsgivers. With the diminished receipts of this holy trading voyage, the collector returns home; and the saint then goes into his or her rest in the sacristy until the victualing department of the church or monastery requires another expedition.

According to the expression of the family, “the Virgin Mary would hear their prayers for having given cheeses to the saint;” a belief not surprising; for their extreme ignorance of everything, religious as well as worldly, their rare intercourse with their fellow-creatures, and having neither instruction nor church within reach, make them a connecting link between civilised man and the animals in their “cussorgie.”

Madonna of Luogosanto

In mentioning this circumstance to a village priest in another part of the island, he not only defended his fellow-idlers in the Lord’s vineyard, for not visiting the peasants, but attempted to demonstrate that religious instruction was positively conveyed by sending the image and obtaining contributions by its means.

If the ignorance and superstitious credulity of my present hostess were great, her hospitality and generosity were no less; she soon recovered from her momentary horror of my heretical irreverence, and, though not the bearer of a holy relic, it was with some difficulty I could get away without having several cheeses put into my saddle-bags; and when my repeated assurances that I was not partial to them at length induced her to desist, she wanted to send to her husband to bring me home a kid or a lamb. She would have considered it an insult to have been offered any payment for her gifts, had they even been accepted; and, after repeated expressions of her wishes to supply me from her humble store, we parted with a shower of mutual benedictions.

“Shepherd, I take thy word, And trust thy honest offered courtesy, Which oft is sooner found in lowly sheds With smoky rafters, than in tap’stry halls And courts of princes, where it first was named. And yet is most pretended.”

Lorenzo Pedrone, shepherd of Gallura, ca 1841


19th Century Paintings, Drawings and Lithographs [captions translated freely]

Nicola Benedetto Tiole, “Mill from Sardinia”, ca 1819-1826, IN Nicola Tiole, Album di costumi sardi riprodotti dal vero (1819-1826), saggi di Salvatore Naitza, Enrica Delitala, Luigi Piloni, Nuoro, Isre 1990.

Alessio Pittaluga, “Shepherdess from Gallura”, ca 1826, IN Royaume de Sardaigne dessiné sur les lieux. Costumes par A. Pittaluga [lithography engraved by Philead Salvator Levilly], Paris – P. Marino, Firenze – Antonio Campani, 1826, rist. Carlo Delfino 2012.

William Light – Jean [Giovanni] Micali, 1829-1830 (1  –   2   –  3)

Alessio Pittaluga, “Shepherd from Gallura”, ca 1826, IN Royaume de Sardaigne dessiné sur les lieux. Costumes par A. Pittaluga op. cit.

Giuseppe Cominotti, “Country conversation”, 1826, IN Francesco Alziator, La raccolta Cominotti: raccolta di costumi sardi della Biblioteca Universitaria di Cagliari, ed. De Luca 1963 e Zonza 1990.

Simone Manca di Mores, “The master […] with the friar and other friends”, ca 1861-1880, IN Simone Manca di Mores, Raccolta di costumi sardi. Commenti alle tavole di Luigi Piloni e Antonangelo Liori, Cagliari, Della Torre, 1991.

Lorenzo Pedrone, “Shepherdess from Gallura”, ca 1841, IN Luciano Baldassarre, Cenni sulla Sardegna, illustrati da 60 litografie in colore, Torino, Botta, 1841; Torino, Schiepatti, 1843 (rist. Archivio fotografico sardo, 1986, 2003).

Postcards and Photos, Late 19th/Early 20th Century

coll. Francesco Cossu

Contemporary Photos

google earth, Winkelbohrer – CC BY-SA 2.0 – Flickr, di Marco Melzi, Flickr, Luca Farneti – Flickr, Vittorio Ruggero – Flickr


I Percorsi dei Viaggiatori - Arzachena

1828 – Smyth (Arzachena)         

1828 – Smyth (da Arzachena a Tempio)         

1849 – Tyndale         

1860 – La Marmora         

1860 – Davey         

1874 – Davey         

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